Natural Balance

Nature-Positive Agricultural

River Guardians

Four species. One river. No time.

Our Last Chance

Old science + new science

Village of Paradise

Through two generations' eyes

Natural Balance

Nature-Positive Agricultural

River Guardians

Four species. One river. No time.

Our Last Chance

Old science + new science

Village of Paradise

Through two generations' eyes

Natural Balance

Nature-Positive Agricultural

River Guardians

Four species. One river. No time.

Our Last Chance

Old science + new science

Village of Paradise

Through two generations' eyes

About

HUMAN TERRAIN is a creative production house that partners with communities, organisations and cultural custodians to bring powerful environmental, social, and cultural stories to life. Stories that are real, respectful and deeply rooted in place.

Blending creative craft, strategic collaboration and immersive multimedia experiences, we shine a light on the connections between people and the land they live on. By doing so, we foster deeper understanding, stronger stewardship, and meaningful change across our shared human terrain.

Services

Strategy

Strategy

Strategy

Art Direction

Art Direction

Art Direction

Film Production

Film Production

Film Production

Photography

Photography

Photography

BTS

On the ground in remote Papua New Guinea

The weight of an old envelope marked 'Early RAAF' had sat in my drawer for years before I finally understood its pull. Inside were my grandfather's wartime photographs from Papua New Guinea - not of battles or military life, but peaceful portraits of villagers he'd met in 1943. Fred Thies had documented these communities with his Box Brownie while stationed there, capturing a world that seemed both timeless and impossibly distant. In 2018, 75 years after his lens first found these faces, I returned to the same villages with a question: what endures when everything is supposed to have changed? Village of Paradise became that answer—a visual conversation between past and present, between his simple camera and our 50kg of equipment, between the PNG he knew and the one that exists today.

On the ground in remote Papua New Guinea

The weight of an old envelope marked 'Early RAAF' had sat in my drawer for years before I finally understood its pull. Inside were my grandfather's wartime photographs from Papua New Guinea - not of battles or military life, but peaceful portraits of villagers he'd met in 1943. Fred Thies had documented these communities with his Box Brownie while stationed there, capturing a world that seemed both timeless and impossibly distant. In 2018, 75 years after his lens first found these faces, I returned to the same villages with a question: what endures when everything is supposed to have changed? Village of Paradise became that answer—a visual conversation between past and present, between his simple camera and our 50kg of equipment, between the PNG he knew and the one that exists today.

contact